Tampilkan postingan dengan label George I. Tampilkan semua postingan
Tampilkan postingan dengan label George I. Tampilkan semua postingan

Musings on 18th Century Portraits and Coins

 Last week I was fortunate enough to visit the "First Georgians" exhibition at the Queen's Gallery, Buckingham Palace Mews. It was an enjoyable (if slightly disjointed) display that left me faintly frustrated. However, to dwell on the positive, two portraits on display in the first chamber inspired me to write today's blog post. 

The first portrait was of Queen Anne, whose death in August 1714 paved the way for the "first Georgian", George Ludwig, Elector of Hanover, to ascend to the English throne. As much as anyone can, living in such elegant splendour, Queen Anne had a tragic life marked by 17 pregnancies, none of which provided a healthy living heir. 
The portrait of Queen Anne
I found the portrait of this somewhat matronly lady, who yet lacked a brood of children, somehow moving. And it put a new twist on the picture when I read it was painted to provide a likeness for coinage. 

Gold coins in circulation during Queen Anne's reign
Indeed, the next portrait was of her successor, King George I - and again, this picture was used to mint coins bearing his likeness. The painting was executed by Sir Godfrey Kneller and was intended to show the new king in regal glory as "Defender of Faith". 

Portrait of King George I
The results of this were on display in a separate cabinet

Is it just me, or is the coin more flattering
than the painting?
OK, there you have it, my favourite objects from the exhibition, which leads me neatly onto some Royal Mint trivia. 
From 1300 to 1812 (encompassing the period when Anne and George's coins were minted) the Royal Mint was sited within the curtain wall of the Tower of London, in Mint Street
The Tower of London with the Shard in the background.
Behind this outer wall lay Mint Street
The houses built into the outer wall that once made up the Mint, are called the Casemates. In the 18th century coal and precious metals were stored there, are well as housing the machinery for making coins. In the present day they are now home to the Yeoman Warders and and their families. 
The view on the other side of the wall.
Looking down Mint Street at the Casemates

One of the most famous Wardens of the Mint was Sir Isaac Newton (famous for his theory on gravity) who held the post for 28 years from 1696. 
Standing beside the Casemates looking inwards to the Tower
Sir Isaac's job was to investigate cases of counterfeiting and it was he moved the currency standard from silver to gold in 1717.

Henry VIII or George I : Who Dined With More Style?

To celebrate 300 years since George I acceded to the throne of England, the Queen’s Chambers, Hampton Court Palace, have been opened to the public. I was particularly struck by the dining room, where King George I dined alone, but with an audience watching his every move – Somewhat reminiscent of a chimps tea-party! 
A table set for one - King George I dines before an audience
at Hampton Court Palace
This in sharp contrast to the Great Hall, where Henry VIII presided at the top table, over what must have been boisterous and rowdy mealtimes.
In contrast, Henry VIII sat at the top table in
the Great Hall, at Hampton Court.
‘Banketynge Braynlesse’
The excess of Henry VIII’s banquets and feasts are legend. In an earlier post we looked at the Tudor kitchens at Hampton Court Palace, and the industry required to produce such feasts.  
From the perspective of the 21stcentury, we get the impression of a feast being a cross between binge drinking and a brawl, but the impression Henry had poor table manners is erroneous. A Tudor saying advises, ‘leaving one’s manners at the table’ – but here ‘manners’ refers to the left-over food, which would be fed to the poor waiting at the gate.
King Henry's view, watching over proceedings
 Indeed, in Babee’s Book (1475) of sage advice to those wishing to dine at court:
Wash your hands before you eat
Don’t let children linger at the table
Don’t fart
Don’t pick your nose, your teeth or any part of your body whilst at the table,
Don’t wipe your hands on the tablecloth or your clothes.
Perhaps Henry used these occaisions to watch the factions at court, or listen for gossip, but whatever his motivation, he was frequently at the centre of things when it came to eating in public.
 
Alone, and yet surrounded by a crowd.
George I was the only diner, whilst the watching audience were
corralled behind a barrier.
Contrast this, with King George I in the 1720’s. George was a much more private man. He preferred to dine privately but could not completely avoid the show of dining in regal splendour at a table of plenty, as previous kings had done.
‘Persons of good fashion and good appearance that have a desire to see us at dinner.’ Charles II
Detail of the barrier re-created by historians from the Historic Royal Palaces

The desire to ogle the masticating king seems to know no bounds, and in order to contain the crowds a barrier, or rail, was erected around the royal table to confine the spectators. Even so, incidents occurred where the barrier gave way, causing injury.  No records exist of exactly what these fences looked like and so the historians at Hampton Court Palace have used contemporaneous sources to re-create the barriers.
The view from George's chair
What George I hadn’t grasped, was the importance of royal feasts and entertaining as a means of drumming up support. George didn’t get on with his son and heir, the Prince of Wales, and in a battle of popularity, the future George II hosted feasts and made his table a place of entertainment and influence. The son’s popularity then dangerously eclipsed the father’s, who had his hand forced into more public revelry than he felt comfortable with.
Dine with Henry or George?
Which would you prefer?
Anyhow, I feel sure you will agree that royal dining at Hampton Court was a sight to be seen. Which do you prefer? George's refined luxury or Henry's boisterous opulence? Do comment and tell us!



A Visit to the Georgian Court at Hampton Court Palace

The Georgians have arrived!
It is nearly 300 years since an obscure German prince, acceded to the English throne. As part of a raft of events to celebrate the start of this fascinating period in history, the clever people at Hampton Court Palace, have re-created what it was like to visit the Georgian court. 

I was thrilled to be invited by the Historic Royal Palaces (the guardians of HCP) to preview the rooms, before they open to the public this Easter weekend. Within the Georgian court there were too many interesting stories to cover in one post, so let me start this week, with a tour of the rooms.

Let's pretend you are a wealthy aristocrat, seeking to petition the King on a matter of personal importance. King George is in residence at Hampton Court Palace, so that's where you must go. As part of the court circle you are allowed into the palace, but where is the king? You are told he is in the Queen's Royal Apartments, so off you go to seek an audience. 
The Georgians, it seems, had a sense of humour.
A smiling yeoman guard ornaments the fireplace in the
Queen's Guard Chamber.
Note the 'GR' on his livery.
The portal to the royal apartments is the Queen's Guard Chamber. You knock on the door and because of your wealth and status, the Yeoman Guard allow you admittance. You enter a large room, filled with courtiers who all have the same goal, of seeing the king. 
The fireplace in the Queen's Guard Chamber
Fortunately, you are selected to pass deeper into the apartments and are escorted into the Queen's Presence Chamber. This is another large room, this time lined with impressive portraits, including one of King George in his coronation gown, a strong reminder of his sovereign power. 
The Queen's Presence Chamber
You have arrived a short time before the king dines in public, and so you are escorted through the Dining Room. The table is set for one person - the King- and the barriers already erected to keep those watching him eat, at a distance from the royal person. 
The Dining Room - set for one - the King!
You are ushered through the dining area into the inner Privy Chambers. The room is packed with courtiers dressed in their finest clothes. The decor is spectacular, the paintings on the ceiling and walls designed to emphasise the new king's legitimate claim to the throne, and reinforce his stately power.

The Privy Chamber - the King would receive petitioners whilst seated
in one of the chairs to the left of the picture.
However, your petition is of a more personal nature and so you are one of the favoured few who transit into the Drawing Room. This is a more intimate place, where the royal family can relax and play cards, or gamble, with their favourite courtiers. 
The Drawing Room - set with tables at which guests could play
card games
But today, the King is not in the Drawing Room, but next door in the State Bedchamber. This is where the monarch, whilst he is being ritually dressed, receives visitors and starts the business of the day.
The State Bedchamber -
The bed is hung with original drapery
But you are sent beyond the State Bedchamber, into the private rooms and beyond into the Gallery.On wet days, should the King wish to exercise, he can promenade, or play sports, in this long gallery. You catch up with the King here, and he is in a generous mood, and suggests you speak to one of his retinue who can be found in the private chambers. 
The Gallery - a lovely place to promenade and take exercise on a wet day.
Your mission continues as you visit the room belonging to the Women of the Queen's Bedchamber,  and pass on into the Queen's Bedchamber itself. Since King George's wife is absent (that's a whole new story) pass through and into her Dressing Room, then into her private Oratory. 
The Queen's Private Bedchamber -
where she sought a little privacy.
Hey ho, the man you needed to speak to is not there, so you are escorted back out into the corridor, and find  you have travelled full circle.
Next door to the Queen's Bedchamber is the room where she
takes her bath.. 
Hey ho! It seems you have had a wasted trip, but at least you saw the sights on the way round.
If you would like to visit the Georgian Chambers at Hampton Court Palace - just click the links.

Next week: Dining: Henry VIII vs George I

Kensington Palace - At Home With The King.

Kensington Palace and grounds - in its 18th century heyday.
The surprising thing about Kensington Palace is its sense of intimacy. In last week's post I mentioned the Grand Staircase which is awe-inspiring but because of the cheeky, boldness of the Georgian mural, rather than its scale. At the top of the stairs, you turn right to enter the King's Presence Chamber - similar in size to a modern sitting room - rather than some huge, palatial chamber. However, this is where the comparison ends because the decoration is gorgeous and gaudy, leaving the visitor in no doubt they are in entering into a royal presence.
The gilded chair on which the King sat to recieve courtiers.
This one belonged to George II's son, Frederick.
 But then the palace plays a trick - the deeper in you go the larger and grander the rooms become. In the Georgian court you either had to be a person of great importance, or else afford ever increasing bribes, to progress further.

The room that most took my breath away was the Cupola room. It is overwhelmingly opulent with its fantastically painted ceiling with the Star of the Order of the Garter as the centre piece. The décor was designed by William Kent (see last week's post) and his first commission for George I.
The ceiling in the Cupola Room
(Thank you KP for allowing photos, but alas not flash photography.)
Kent was a controversial choice because his art was different - and in time came to set the tone for the Georgian era. His greatest rival, Sir James Thornhill was most put out that Kentwon the job and his friends tried to undermine the young artist by casting aspersions on the quality of his work. They accused Kent of cutting costs by using inferior quality paint, especially when it came to the gilding - modern tests proved their claims to be false.
The Cupola Room - it was here Victoria was baptised.
It was in the Cupola Room that the future Queen Victoriawas baptised. Her parents, the Duke and Duchess of Kent, were joined by the Prince Regent (later King George IV). It was George who decided the baby's name: Alexandrina (after the Russian Tsar) Victoria(after her mother).

Statue of Victoria in her coronation robes, in front of Kensington Palace.
Victoria was born at the palace.
As the size of the rooms increases, so they become less personal. Although a grand chamber, the King's Gallery lacks a human feel, although many events of historical importance took place here. Today the gallery is hung with red damask, which in 1725 replaced the original green velvet.
 
The King's Gallery, as it is today.
The first monarch to use the gallery was William III - he received his spies and planned military campaigns here. He even had a wind dial linked to the room so he could see if the winds were set fair for an invasion fleet to cross the English Channel. He held his 50th birthday party here…and it was also said to be the room where he caught the chill that eventually killed him.

The statue of William III outside Kensington Palace.
George I filled the gallery with fabulous paintings, of which the most famous are Tintoretto's "The Muses" and "Ester before Ahasuerus" and Van Dyck's portrait of Charles I. When King George inspected the room shortly after its completion he was said to be 'well pleased.'
 
The fireplace in the King's Gallery.
The future Queen Victoriawas born at Kensington Palace and as she grew into a young lady evidently she needed more space. Her mother's solution was to divide the king's gallery into three. The alteration caused consternation but Victoria records her delight in her journal:
"…three lofty, fine cheerful rooms. One...is my sitting room and very prettily furnished indeed."

Later in the 19th century the room was restored to its previous design.
 
Widget says "A palace isn't a home without a cat...or five."
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